Music for Francisco Goldman's SAY HER NAME: Julieta Venegas -- MTV Unplugged

This is my first attempt working with a new concept for this blog. I'm a musician, as I've maybe mentioned before on this blog, and I listen to a fairly wide range of music. I've been looking for a way to talk about some of the music I really like and a way to present some of the results of my continual search for great music that I've never heard. So I'm going to try as best I can to pair every book with an album of music that I think shares some of the tone and the mood of that book. Sometimes it will be music that was mentioned in the book, sometimes it won't be. Sometimes it'll be music I know something about, other times it'll be something I just found in the process trying to match some music with the book. It'll be sort of like coming up with a hint of a soundtrack for a book, only I mean to get some the tone of the prose more than music that would be appropriate for the movie version of the book. I want it to also be a way to think differently about a writer's style, putting in some kind of cultural perspective. We'll see how it goes. First up is Julieta Venegas' live album from 2008, MTV Unplugged, as music to go with Francisco Goldman's Say Her Name, the tragic story of the death of his wife Aura.

Francisco Goldman – SAY HER NAME

In May of 2005 Aura Estrada and Francisco Goldman were married near San Miguel de Allende in Mexico. It was a huge outdoor wedding, suited to the long distance that the guests had travelled to be there. I only dimly remember the particulars of that day: large tents housing the dinner tables, the never ending supply of tequila, the bride and groom floats that cheerily danced above our heads after the more serious march down the aisle. I can vividly recall Frank grinning so widely as to look even less real than the float, more like a child's drawing of a happy face than an actual person. Leading him around this happily entranced figure was the youthful Aura, who, in contrast to Frank's otherworldly look, was very much in her element, dancing lightly around the grass and among the guests as though in her own home.

That was the first and last time I saw Aura Estrada. She died on July 25, 2007, in the unlikeliest of accidents on a beach in Mexico, just after her thirtieth birthday and just before her and Frank's second anniversary. This is the tragedy that opens Say Her Name, a book that that serves as a memorial to Aura, a memoir of love and loss and a meditation on the mystery of other lives.

The Americano Book Review!

I just finished a stint as a guest editor of a very special issue of The American Book Review devoted to Mexican-American literature of the West. My introduction, along with a contribution from Dagoberto Gilb and a table of contents, are available at the ABR website. To read the whole thing you'll have to find a copy on a newsstand or order one from the web. It's worth it, though, as it's a pretty interesting read. We put together a pretty broad range of work in the issue--from a discussion of graphic novels by Hector Cantú (the man behind the comic strip Baldo), a piece about Gary Soto by Michael Jaime-Becerra (a novelist) and even a piece by screenwriter Josefina Lopez (of Real Women Have Curves fame). For a taste, there are a couple things available online. Oscar Villalon (formerly books editor at the San Francisco Chronicle and currently managing editor of Zyzzyva) has posted his piece--a reflective piece on living in the Latino literary world--on his own blog and it's definitely worth a read. And, my own review of a recent book called Migra! by Kelly Lytle-Hernandez, is printed after the break. (As a warning, I should say it's a slightly more personal essay than what's been on this blog so far--though only slightly.)

Heinrich Böll: AND NEVER SAID A WORD

I keep finding myself picking up these Heinrich Böll novels. This latest one, titled And Never Said a Word, was a real let-down, yet I know that I'm still going to move on to the next one. This makes me aware of the value of Böll, which lies somewhere beyond the actual qualities of his writing or his ability to come up with plots and characters. What comes through all his books, a deep moral concern and a deep moral seriousness which it gives him the ability to infuse significance into the smalles of activities, from drinking coffee to interacting with neighbors. Even when, as I suspect would happen to anyone reading this book, one gets terribly bored, one admires the man who produced it.

Max Weber: THE PROTESTANT ETHIC AND THE SPIRIT OF CAPITALISM

Max Weber's great essay of 1904 has suffered from its own success. It does have a catchy title. People throw around the phrase "the Protestant ethic" constantly. It is written with an appealing (though for some, off-putting) combination of simplicity and grandiosity. And, I think, people just like they idea they think the work represents, the basic version of which is familiar to everyone. It is usually put rather crudely: Protestantism somehow led to capitalism. For many it explains how we good Protestants became good capitalists. So it provides an explanation of how, in general, we've gotten just so darn good. But this version, an optimistic description of the progress that led inevitably to our own time, misses a large part of the value of this book.

Heinrich Böll: THE LOST HONOUR OF KATHARINA BLUM

The Lost Honor is a very short novel, maybe not quite long enough to truly be a novel. At a little over a hundred rather sparsely filled pages, it meets the old Edgar Allan Poe requirement for a short story that it be able to be absorbed in a single sitting. Against Poe's recommendations, though, it doesn't aim at a single effect. Instead confronts the big ideas that motivate much of Heinrich Böll's work. In this book, as in The Clown and Billiards at Half-Past Nine, Böll sneers at the veneer of public respectability that hides immorality, shows the ways that people can use their power to manipulate others, and also betrays a general cynicism about the officialdom of postwar German society.

Steven Ozment: THE REFORMATION IN THE CITIES

In this book, Steven Ozment has attempted a new look at the history of the very earliest phase of the Reformation, running from 1517, the date of Luther's famed 95 theses, up to about 1520-21, when reforms started to be instituted in the German towns. His concern is to find out the why Luther's ideas were so appealing to city dwellers of Germany, and his answer is that it appealed for positive worldly and "urban" reasons. In doing this, Ozment paints a particular picture of Protestantism, making it free of its later religious excesses, its Calvinist strictness, its occasional Messianism, its later concrete forms with their organized rituals too reminiscent of Catholicism. He is sometimes overly eager to separate this undeveloped, early phase from the later developments within the churches.